(b. 1991, Glasgow, UK)
MFA Glasgow School of Art
duffy.fionn@gmail.com
RESIDENCIES & AWARDS
2020 Winter Residency Artist, Scottish Sculpture Workshop, Lumsden
GSA Sustainability Grantee, Glasgow School of Art, Glasgow
2019 Emerging Artist in Residence, Digital Artist Residency & Ovada Gallery, Oxford
Bursary Recipient, Test Unit, Agile City, Glasgow
2018 Open Choreography Residency (w Rohanne Udall & Paul Hughes), Siobhan Davies Studios
2017 Emerging Visual Digital Artist Residency, Banff Center, Alberta, Canada
Dance for the Radio Project Development Grant (w Paul Hughes & Rohanne Udall)
Participating Artist, Top Shed Weekend, Norfolk
Rubys Artist Project Grant (w Katie Shlon), Greater Baltimore Cultural Alliance, USA
2016 Artist in Residence at Art Center Ongoing, Tokyo, Japan
Artist International Development Grant, Arts Council England/British Council
Interdisciplinary Residency, Hopsitalfield, Arbroath, UK
Participating Artist, Study Week w David Toop, Wysing Arts Center, Cambridge
2015 Artist in Residence at D'CLINIC Studios, Zalaegerszeg, Hungary
2014 Artist in Residence at Elsewhere Museum, Greensboro, NC, USA
Participating Artist, AMP, Impact Arts, Glasgow, UK
2012 Nagoya University of Arts Scholarship, Nagoya, Japan
SELECTED EXHIBITIONS & PROJECTS
2020
The Space Between Two Points, with Ashley Bedet, Untitled Art Society, Calgary, AB
Semi-Exquisite Corpse, by David More, The Stove Network, Dumfries
2019
Forced Collaboration, curated by Georgia Gendall, forcedcollaboration.co.uk
Humachine Flux, Ovada Gallery, Oxford
MFA Interim Show, The Glue Factory, Glasgow
A Pig's Ear (with Tate n Lyle), Backlit Gallery, Nottingham
Front of House Fashion Survey (with Invigilator Research Network), Window Galleries, CSM, London
2018
Bodies in Sounded Space (with Katie Shlon), School 33 Art Center, Baltimore, USA
Radio Play, curated by Timber & Battery, online broadcast
Up Like a Sun, Down Like a Pancake (by Kelly Lloyd), ICA Baltimore, USA
Three Times Removed, Tontine Project Space, Glasgow
2017
Speculative Geologies I, Swiss Cottage Library, London, UK
Farafield, UCL, London, UK
Open Studio, Walter Phillips Gallery Project Space, Banff, AB, Canada
Hyde900, Winchester, UK
2016
Mini Film Festival, Transmission Gallery, Glasgow, UK
This There, That Then, Then Here, Now This, (solo) Art Center Ongoing, Tokyo, JP
Mhor farr / So Good, Good Press, Glasgow, UK
Best of D'CLINIC 2015, Gönzci Galéria, Zalaegerszeg, HU
2015
Spaces, AIA (Artists in Arches), Glasgow, UK
Bleachfield, Glasgow Botanic Gardens, UK
Diverse City, Barras Art and Design Centre, Glasgow, UK
2014
2014 Retrospective, Elsewhere Museum, Greensboro, NC, USA
Good Vibrations, Big Car Collective, Indiannapolis, IN, USA
Response to the Trains of Elsewhere, Elsewhere Museum, Greensboro, NC, USA
Vision & Values, Transmission Gallery, Glasgow, UK
Dwell, The Car Park Space, London, UK
Polyphony, The Electricians Shop Gallery, Trinity Buoy Wharf, London, UK
2013
One, The Rag Factory, Brick Lane, London, UK
Research Symposium 2013, University of Brighton, UK
The Graduate Show, University of Brighton, UK
RELEASE an evening of performance and sculpture, The Hope, Brighton, UK
2012
The November Show, The Big Fig, West Street, Brighton, UK
Gaijins, Gallery Be, NUA, Kitanagoya; Deepartment Gallery, Tokyo, JP
Reverb, Copenhagen Place, London, UK
Neoud, Clas Gallery, Nagoya, JP
Frame, Shape and Shift, North Gallery, University of Brighton, UK
PRESS/PUBLICATIONS
Chains, edited by Julia Kothe & Julia Gerke, 2019
Mhor Farr/So Good, Self Published Artist Book and Audio, 2016
The Curious Tongue: Impressions of an Imaginary Exhibition, Published by D'Clinic Studios, 2016
How It Gets Made, Gutzine, Niina Cochran & Big Car Collective, August 2015
Polyphony, reviewed by Natalie Craven, Avenir Magazine, Issue 3 April 2014
Response to the Trains of Elsewhere, Jennie Carlisle on GoElsewhere.org, August 2014