2-channel video with audio (00:15:46), borrowed windows, chestnut casings, clamps, coffee cans, concrete, construction felt, compressed polystyrene, embossed tetrapak, embossed recycled pa­per made from inkjet prints, notes and sketches; inkjet prints, milk bottles, paper making frame, pencil drawing on poster paper, pencil drawing on paper made with apple waste; PET bottles, plastic packaging from install, plastic shells, polystyrene packaging, reclaimed glass, reclaimed wood, shells, steel, tangerine peel, washi paper with embedded plastic housing from electronics.

A continuously-evolving exhibition investigating contemporary waste management through the framework of ancient waste disposal practices and the characters of the Selkie, a Scottish folktale of transformation, grief and revenge, and the Snow Child, an Aomori folktale about dissolving bodies, love and loss. Each week the exhibition was altered, sustaining a cycle between studio, site visits and public presentation; attending to the continued lives of objects beyond their primary function.

Supported by Aomori Contemporary Art Center. Translation by Kyoka Kawai Arisawa. With thanks to Ayari Takeda, Yuka Keino, Aruma Toyama, Mari Osanai, Reiji Osanai, Gainz Co., Ltd. Sannai Maruyama Jomon Culture Center, Cultural Assets section, Aomori City Board of Education, World Heritage management office, Board of Education, Shichinohe Town, Rozure Resource Limited, Aomori City Facility Disposal Facility, Aomori Eco-creation Co., Ltd., Nishidagumi Co., Ltd., Korekawa Archaeological Institution, Aomori City General Waste Final Disposal Site.